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exploration of abstraction a nd the Zero avantgarde developed in Germany
in the 1960s,
along with constructive, concrete tendencies toward an in de pendent
sort of Minimalism. This
publication is devoted to th ereductionist artwork of German artists
who produced large sculptures,
series of visual objects, and action-oriented concepts of work, representing
German aspect of Minimalism as an international phenomenon of the 1960s.
by Sandra Berchtel, Susannah Cremer-Bermbach, Norbert Grob, Paul Kaiser,
Paul Maenz, Gregor Stemmrich, Franz Erhard Walther, Renate Wiehager
on minimalist tendencies in art, architecture, literature,
film, dance and design of the period in Germany expand the context.
one hundred works by about fourty artists - most from the Daimler Art
Collection - are featured, including such diverse artists as Hartmut
Böhm, Imi Giese, Hanne Darboven, Hermann Glöckner, Heinz Mack,
Peter Roehr, Charlotte Posenenske, Ulrich Rückriem and Franz Erhard
500 pages, 500 illustrations.
Exhibition Minimalism in Germany. The Sixties II